Archive for the ‘Education & Resources News’ Category

#Throwback Thursday: American Women on Bikes

May 9th, 2013

By: Sydnee C. Winston, Project Coordinator

Photo Courtesy Library of Congress

It’s #Throwback Thursday at NWHM and today we’re paying homage to the bicycle. May is National Bicycle Month and we thought it would be fun to highlight some the ways that this zippy invention has historically impacted the lives of American women. So what do bikes have to do with women?  It turns out  that they had a revolutionary impact on the women’s movement of the early 20th century. Here are some interesting facts:

Fact #1: The origins of the bicycle are shrouded in mystery—it’s very difficult to attribute just one person to its invention. But on June 26, 1819, W. K. Clarkson, Jr. of New York received a patent for a velocipede (a human-powered land vehicle with one or more wheels), and beginning in the 1860s Americans, both men and women, began to show an interest in the contraption. Read the rest of this entry »

#ThrowbackThursday: Vintage commercials and advertisements (part 1)

April 18th, 2013

by Elissa Blattman, NWHM Intern

Have you ever searched the internet for television commercials and print ads from the 1950s and 1960s?  Sometimes what you find brings back memories and excitement over something forgotten with the past.  Sometimes what you find is genuinely funny or interesting.  Then again, sometimes what you find is this:


The message in this advertisement is “woe be unto” the wife who does not taste test coffee in the store before bringing it home to serve to her husband – an act that clearly deserves a spanking.  This is an ad for Chase & Sanborn Coffee, just one of many sexist vintage ads that chastise women who do not perform their wifely duties up to their husbands’ standards and/or reinforce domestic gender stereotypes for women.  Coffee companies, in particular, used this theme in many of their advertisements from this period.  Take also, for example, this Folgers commercial from the 1960s, where the husband tells his wife that all he wants for his birthday is a “decent cup of coffee” before he leaves the house for work, disappointed.  He compares the better coffee the “girls” at his office make to his wife’s, which causes the wife to discuss the matter with her friend and take her friend’s suggestion to use Folgers coffee to impress her husband.  The husband returns from work to the new, “great coffee” that the “girls’ at the office” “can’t hold a candle to.” Read the rest of this entry »

Foodie Friday: Colonial American Fast Food?

April 12th, 2013

By: Sydnee Winston, Project Coordinator

This week’s Foodie Friday adventure takes us back to Colonial America—a time of exploration, revolution, taverns and….fast food?

Yes, that’s right, fast food! We may think of the desire for fast food as being a 20th century phenomenon, but our colonial ancestors had the same desire for quick, convenient and affordable fare that we do today. Read the rest of this entry »

How “Downton Abbey” Got Me Thinking About Property Rights for Women

April 10th, 2013

By: Beth Hicks, NWHM Volunteer

Michelle Dockery (Mary Crawley) Photo Courtesy: jdeeringdavis

If you are like me, you are having a ball following Masterpiece Theater’s Downton Abbey. What life must have been like, especially for the women! In fact, watching the series got me thinking more about the history of property rights for women – in England and in America.

In the show, Mary Crawley is a young English woman who finds herself in 1912 with no chance of inheriting the beautiful abbey that has been in her family for many generations. She is the eldest daughter of Lord and Lady Grantham, and as a woman, she can’t inherit property on her own, though her father has no sons. Read the rest of this entry »

Foodie Fridays: The Classic American TV Dinner

April 5th, 2013

By: Sydnee Winston, Project Coordinator

It doesn’t get much more American than the TV dinner. The mention of those two words immediately conjures images of a 1950s era family dressed in perfectly starched clothes sitting on their couch with TV dinners on their laps, as an episode of “I Love Lucy” appears on the screen. These neatly partitioned, individual-sized frozen meals of fried chicken, mashed potatoes, peas and dessert (and other foods), have been delighting American families since the 1950s. Read the rest of this entry »

Historical Women Who Rocked: Jackie Mitchell

April 2nd, 2013

By Elissa Blattman, NWHM Intern

It’s baseball season!  My favorite time of the year!  I grew up in a big time baseball-loving household, where the topics of our dinner conversations regularly centered around baseball trivia.  I feel like I know my fair share of baseball history, however, this is something I had never heard about until today.

Did you know Jackie Mitchell, the second female ever signed to a professional baseball contract, struck out Babe Ruth and Lou Gehrig back to back on April 2, 1931? I didn’t!

Growing up, Jackie Mitchell was an all-around athlete who played tennis, basketball, and boxing, among other sports.  But her favorite was baseball.  As a child, she lived next to future Baseball Hall of Famer, Dazzy Vance, who coached her and taught her the “drop ball” pitch.  She played in sandlot games and for an all-girls team in Chattanooga, Tennessee, and attended a baseball camp in Georgia.

Photo credit: Library of Congress

During the 1930s, Joe Engel, owner of the AA minor league team, the Chattanooga Lookouts, was always looking for ways to fill the Lookouts’ seats with baseball fans.  Engel, known as the “Barnum of Baseball,” frequently used publicity stunts as a way to get larger audiences into his stadium, as attendance dropped due to the financial hardship of the Great Depression.  Engel caught wind of Mitchell and he figured he could garner more publicity for the Lookouts if he signed her to the team.  On March 25, 1931, Engel signed 17 year old Jackie Mitchell to the Lookouts, so he could promote his team as being the only one in professional baseball with a female pitcher.  By April 2, Mitchell was called to the mound in her first professional game.

During the 1930s, it was common for major league teams to play exhibition games against minor league affiliates.  On their way back to New York from their Spring Training facility, the New York Yankees stopped in Chattanooga to play an exhibition game against the Lookouts.  Pitcher Clyde Barfoot started the game for the Lookouts, but was pulled by the manager after giving up hits to the first two Yankees hitters.  Mitchell was called into the game to face the next two hitters in the lineup: Babe Ruth and Lou Gehrig.  Mitchell’s first pitch to Ruth was a ball.  Ruth then swung and missed the next two pitches and was caught looking for strike three.  Gehrig struck out swinging on three consecutive pitches.  Mitchell only had the “drop ball” in her pitching repertoire, but she used it successfully to strike out two of the greatest hitters in baseball history in just seven pitches.  The crowd of 4,000 gave her a minutes-long standing ovation.  She walked the next batter, though, at which point Barfoot returned to the game to replace her – and ended up losing 14-4.

Jackie Mitchell with Babe Ruth, Lou Gehrig, and Joe Engel. Photo credit: Library of Congress

Babe Ruth, especially, was not happy about the outcome of his at bat against Mitchell.  He allegedly yelled at the umpire, kicked the dirt, and threw his bat after being called out on strikes, and told a Chattanooga newspaper after the game, “I don’t know what’s going to happen if they begin to let women in baseball.  Of course, they will never make good.  Why?  Because they are too delicate.  It would kill them to play ball everyday.”  Major League

Baseball Commissioner, Kenesaw Mountain Landis, took Ruth’s side on the issue and voided Mitchell’s contract to play with the Lookouts, claiming baseball to be “too strenuous” for women.  Major League Baseball officially barred all women from the game on June 21, 1952.  Though not allowed to play in the MLB, the women who played in what is now known as the All-American Girls Professional Baseball League (1943-1954) proved that the game of baseball is not “too strenuous” for women to participate in competitively.

Sources: The National Baseball Hall of Fame & Museum, LA Times, CNN, Baseball Almanac

#ThrowbackThursday: Marian Anderson performing at the Lincoln Memorial on Easter Sunday, 1939

March 28th, 2013

By: Elissa Blattman, NWHM Intern

Since Easter is coming up, our Throwback Thursday clip for this week takes us back to Easter Sunday, 1939.  Watch the video below to see Marian Anderson performing in front of the Lincoln Memorial in Washington, DC on April 9, 1939.

Marian Anderson was a world renowned vocalist and one of the most accomplished singers in the United States during the 1930s.  She was the first black entertainer to perform at the White House, which she did twice at the behest of the Roosevelts in 1936 and 1939.  Despite her success, she was still subjected to the racial discrimination faced by all black Americans during the first half of the 20th century.  En route to gigs across the country, Anderson was often forced to take “colored” transportation and stay in “colored” accommodation, or arrange to stay at friends’ homes in the cities in which she was scheduled to perform.  Her shows were also often performed to segregated audiences.

In 1939, Anderson had hoped to perform an Easter Sunday concert at the Daughters of the American Revolution (D.A.R.)’s Constitution Hall in Washington, DC, a major concert venue in the city.  She was told, however, that Constitution Hall had a strict “whites only” policy and she would not be permitted to perform there.  The D.A.R.’s refusal to host the concert at Constitution Hall garnered a good deal of publicity, especially after Eleanor Roosevelt, a D.A.R. member herself, publicly criticized and left the organization due to its reinforced segregation policy.  Having previously performed at the White House, Anderson also had other supporters within the Roosevelt administration, including Secretary of the Interior, Harold Ickes, who, taking the NAACP’s suggestion, arranged for Marian Anderson to perform in front of the Lincoln Memorial.

On April 9, 1939, 75,000 people, including many high ranking government officials, gathered at the Lincoln Memorial to watch Anderson’s concert on the National Mall.  At the time, it was one of the largest crowds to assemble there.  Radio coverage of the performance allowed millions more to listen to it from their homes.  The event marked a change in the way many Americans viewed racial issues, and by 1943, Constitution Hall opened its doors to Marian Anderson by inviting her to perform there before a desegregated audience for a WWII benefit concert.

Join in on the conversation!  Post comments below, on Facebook, or tweet us @womenshistory using the hashtag #ThrowbackThursday.

Sources: PBS, Scholastic

#ThrowbackThursday: “Windows by Rhoda”

March 21st, 2013

By: Elissa Blattman, NWHM Intern

We are starting a couple of new themed days on our NWHM blog!  Today’s theme: Throwback Thursday.  Each Thursday, we will be posting a multimedia clip from the past that was relevant to and reflective of women’s lives in the time period it was made.  Check back every Thursday for exciting videos, audio clips, photos, and more!

For the past two weeks, the news that TV legend, Valerie Harper, has incurable (“so far”) brain cancer has been all over the media.  I am a huge fan of Harper’s and Rhoda Morgenstern, the character she played for nine years on both The Mary Tyler Moore Show and Rhoda, is my favorite television character of all time.  While Harper has been making the rounds encouraging people to live for the now, I would like to celebrate one of my favorite moments from her past.  So, to kick off Throwback Thursday, here is a scene from a 1975 episode of Rhoda, “Windows by Rhoda.”

I love it when pop culture and social history come together, and I think this clip is definitely indicative of a meshing between the two, as it highlights many of the issues women were protesting during the Women’s Movement of the late 1960s and 1970s.  Rhoda had been a department store window dresser for at least five years by this time, since The Mary Tyler Moore Show started in 1970, but in this episode, she decides to start her own window dressing business, Windows by Rhoda.  In this clip, Rhoda and her husband, Joe, are in the process of setting up Rhoda’s new office.  The building manager comes in and asks Joe to sign Rhoda’s lease because “they prefer that the man of the house sign it.”  Rhoda stands up for herself, telling the building manager it is her office and that she paid for it with her own money, and then signs the lease anyway.  She then goes on to tell Joe she faces discrimination like that “all the time” as a working woman, gives him one such example right before someone else comes into the office and proves her example right, and explains to him why she needs a separate identity other than that of his wife.

One of the main goals of the Women’s Movement was to get women out of the home and into the workforce (this applied mostly to white women, as women of color often did not have the luxury to choose between staying at home and working).  Women were coming together to push for equal job opportunities, equal pay, and equal treatment at work.  They were also asserting their right to go into business for themselves.  In order to do this, women often needed the ability to obtain their own bank accounts, loans, credit, and leases without discrimination or necessary approval from their husbands or other male relatives.  Within the short span of this clip, Rhoda touches on all these issues and more.

Check out this video of Bella Abzug talking about how she helped pass the Equal Credit Opportunity Act of 1974, which prohibits creditors from discriminating against applicants, including on the basis of sex.

Join in on the conversation!  Post comments below or Tweet us @womenshistory using the hashtag #ThrowbackThursday.

The Seven Sisters: Now and Then

January 31st, 2013

My name is Jennie Ostendorf and I am a senior at Barnard College.  Barnard is a small liberal arts college located in the middle of New York City.  It is known for its rigorous academics and competes for students with schools like Georgetown University, University of Pennsylvania, Wesleyan University, and NYU. But there is one quality about Barnard that sets it apart from these other institutions: Barnard only accepts female students.

(President Obama speaks at Barnard Commencement 2012 Photo Credit: Barnard College)

Since its founding in 1889, Barnard has been dedicated to the enrichment and success of women.  I can say with certainty that my college experience has been extraordinary because of Barnard’s values. Because I came to Barnard, I have met pioneers like Gloria Steinem and Anna Quindlen; studied leaders like Elizabeth Cady Stanton and Bella Abzug; worked with peers and professors who challenge and inspire me; and have learned, grown, and excelled in an environment where women can (and are expected to) do anything.

Read the rest of this entry »

Historical Women Who Rocked: Film Director Dorothy Arzner

January 10th, 2013

What do Hollywood heavyweights Lucille Ball and Katharine Hepburn have in common? Both of their legendary film careers were made possible by Dorothy Arzner. Ever heard of her? Chances are you haven’t because she is one of many women in history whose incredible stories have been forgotten. In addition to being the first woman to direct in the Hollywood studio system, she was the only woman for her entire career which lasted for nearly 20 years! Her name is credited to more films than any other woman in Hollywood to date. Dorothy directed the first “talkie” for Paramount and invented the boom mic.

Although Dorothy’s amazing story has faded into historical obscurity, a new project is working to unearth it and share it with the world.  Sophisticated: The Untold Hollywood Story of Dorothy Arzner, “will tell the story of this great unsung heroine…Hollywood’s first female director, Dorothy Arzner.”

Wendy Haines is the film’s producer and  brings over 20 successful years in the Entertainment Industry coupled with an entrepreneurial background in business management. Along with her passion for collaboration, Wendy brings a visionary ability combined with practical business perspective, which makes for the combination of a winning producer. Ms. Haines’ goal is to inspire a collaborative effort to write this unsung heroine back into history.

To learn more about this important project please click here.