Earlier this month, NWHM President & CEO, Joan Wages, spoke at a the Military Sealift Command’s Women’s Equality Day celebration. The event was held at Navy Yard in Washington, DC in conjunction with other Women’s Equality Day events. Joan discussed the history of the Woman Suffrage Movement and specifically addressed the 1913 Suffrage Parade in Washington. Her speech was a big hit among those in attendance.
In this week’s #FoodieFriday we’re paying homage to America’s beloved chef, Julia Child, with a lesson on how to cook the french classic Boeuf Bourguignon:
Bon Apetite! Stay tuned for next weeks #FoodieFriday
By: Katherine Dvorak
As it has every year since 1998, on the fourth Friday of September, California will celebrate Native American Day. A day dedicated to recognizing and honoring the Native peoples of North America.
Of the 566 federally recognized tribes, over 100 of them reside in California; including the Mohave Tribe, the Wappo Tribe, the Hoopa Tribe, and the Chauilla Tribe. This makes California home to the largest Native American population in the country.
From the very beginning of their history, from before the arrival of European explorers to after the westward expansion of American settlers, women have played an important role in Native culture, helping to lead and cultivate their Tribe’s unique society and influencing the future of America as well.
Beyond Sacajawea and Pocahontas, Native women contributed to all aspects of America society. Warriors like One Who Walks With Stars and Minnie Hollow Wood – who both fought at the Battle of Little Big Horn – and leaders like Glory of the Morning, Chief of the Hocak Nation and Queen Anne, Chief of the Pamunkey Tribe, fought for the continued existence of their Tribes and their way of life.
Artists and storytellers like basket weaver Carrie Bethel and potter Vera Chino shared the beauty of their people’s lives and stories. In addition, women like Fidelia Fielding, the last native speaker of the Mohegan-Pequot language, passed down their knowledge.
More recently, Native women have continued the in the roles of their foremothers while also branching out into new roles such as being advocates for Indian Country and working to promote their interest at the federal level.
Activists like Kayln Free works to get Native people elected to public office while Suzan Shown Harjo, President of the Morning Star Institute, is one of the leading voices in the effort to get the National Football League’s Washington Redskins to change their name.
Within the federal government women such as Kimberly Teehee, former senior policy adviser for Native American Affairs for President Obama and Ada Deer, the first Native woman to head the Bureau of Indian Affairs, worked for issues vital to Indian Country and ensure their continued representation.
Whether it was as leaders, warriors, teachers or artists, Native women have contributed to the world around them. Today, countless women carry on the traditions of their foremothers, working to honor and preserve their Native heritage and continuing to help shape America.
by Elissa Blattman, Project Assistant
Out of the 100 statues in the National Statuary Hall Collection in the US Capitol, only nine are of women. Most of the statues there and elsewhere in the Capitol are of men who have been deemed great and important enough to be on display in the building that represents our nation. Though women are underrepresented in the number of statues, there is one woman who is behind the creation of three of those that stand there.
Vinnie Ream was born on September 25, 1847 in Missouri. As a child, she was taught how to draw and paint by Winnebago Indians. Her family eventually moved to Washington, DC, where she began to study with DC-based sculptor, Benjamin Paul Akers. During the Civil War, Ream took up other work with the US Postal Service and also volunteered with war relief efforts. In 1863, Missouri Congressman and friend, James Rollins, introduced her to well-known sculptor, Clark Mills, who offered her a job as his apprentice. Under Mills, Ream flourished and began creating busts of some of Washington’s important people, including Thaddeus Stevens.
In 1964, Ream got James Rollins to ask President Abraham Lincoln’s permission for her to sculpt him while he was working in his office. Lincoln, after learning that she came from a poor background like he did, agreed to let her create a bust of him. Ream later said of Lincoln, “He had been painted and modeled before, but when he learned that I was poor, he granted me the sittings for no other purpose than that I was a poor girl. Had I been the greatest sculptor in the world, I am sure he would have refused at that time.” Ream visited the White House for 30 minutes a day everyday for five months to sit with Lincoln, until he died in April 1865. She said her time with Lincoln and his death impacted her life. Read the rest of this entry »
By: Laura Spears
As a young girl, Margaret Bourke White a child with broad interests. She was interested in photography, and with the encouragement and instruction of her father, it became one of her hobbies. She was also interested in science, and wanted to be a zoologist that studied jungle reptiles. As a university student, Margaret majored in herpetology, and used her gift as a photographer to fund her college degree. However, after taking a photography course at Cornell, she decided to switch career paths.
Margaret Graduated from Cornell University at the age of 23 and relocated to Cleveland, Ohio. There, she established herself as a professional photographer, running her own business out of her one bedroom apartment. She used her bathtub as a chemical bath for her photos and stored her supplies in kitchen cabinets. She specialized in photographing architecture and new buildings for businesses. As a hobby, she also photographed subjects she was interested in, like the Otis Steel plant. She developed a very dramatic, unique style of photographing industry and architecture.
It was this style that caught the attention of the publishers of a new periodical, Life Magazine. In 1936, Margaret shot a photo essay for the very first issue of the magazine. Her subject was the construction of the Fort Peck Dam in Montana. The publishers were so impressed with her work, that she became part of their journalistic staff. In the years of the Great Depression, Margaret would shift the focus of her work away from industry and production and become more interested human subjects. Her photo essays at this time dealt mainly with the Great Depression and the Dust Bowl. Read the rest of this entry »
By: Laura Spears
When Eleanor Helin began her studies as a scientist, she probably did not imagine that her interest in geology and land formations would lead to a career in space exploration. Her curiosity in the mineral make up or rocks formed on earth led her to study fragments of rock that formed elsewhere in the solar system and fell to earth, also known as meteorites.
Early in her career, Eleanor specialized in minerals and landforms. While at CalTech, she was the in charge of their meteorite collection. She studied their composition, chemistry and formation. Eleanor soon focused her research on the surface of the moon. Specifically, she studied the landforms of the moon and researched how the surface of the moon came to be so pockmarked with craters. She was hired by NASA in the 1960’s because of this specialization. With her research partner, Dr. Bruce Murray, she set up a laboratory at CalTech to further examine the surface of the moon. This would be the first lunar laboratory in the United States. Using telescopes and photographs Eleanor’s laboratory was able to create a more detailed image of the moon’s surface. Her research helped NASA prepare for the first moon landing in 1969.
Eleanor was also the principle investigator for NASA’s Near Earth Asteroid Tracking program. Established in 1995, it was the first autonomous observing program. None of the jet propulsion laboratory’s personnel needed to be present at the observation sight. Eleanor and her team programmed a computer to observe the night sky and then transmit the data to the JPL each morning for review. NEAT’s purpose was to find and track any asteroid that could come close to hitting earth. NEAT discovered 31 near earth asteroids, two comets, and thousands of other unique objects. The program was retired in 2007.
The design of this hat is inspired by Helin’s discoveries, asteroids and comets, which both travel in an orbital pattern around the sun. The unique structure of this hat makes it appear that the bias binding the brim is orbiting the head. The boom in space exploration had a significant influence on 1960’s and 70’s fashions. The French designer, Pierre Cardin is credited with beginning what is now known as the space age fashion trend. Futuristic style clothing, featuring strong geometric shapes and lines became popular. The fashion could be taken to the extreme by incorporating unusual materials, such as plastics, into the design. The popularity of science fiction in television and movies, such as the original Star Trek series, was also an influence on space age fashions.
By: Laura Spears
In 1801, when Dolley Madison first came to Washington, construction of the city had only begun nine years previously, and Washington was still a swampy wilderness. The buildings were few and perfunctory. At this time, The Federalist and Republican parties were so polarized, that the various boarding houses they returned to each evening were divided along party lines. Political disputes were often settled in a physically violent nature, whether in the chambers of Congress or outside the city at the Bladensburg dueling grounds.
As the wife of the Secretary of State, and then later the First Lady, Dolley helped soothe political tensions. By entertaining both Federalist and Republicans at parties and dinners hosted in her home, Dolley created a bipartisan social sphere in Washington where politicians could visit with each other. Her feminine influence and talent for civility brought much needed refinement to the rugged new city. Every Wednesday night during the Madison administration, Dolley hosted a public reception where all were welcome. She served punch and ice cream. These parties became so popular and crowded that they became known as Mrs. Madison’s “squeezes.”
Dolley is most remembered today for an act that has become a scene in American legend. In 1814, she was one of the last inhabitants of the capital to flee the invading British army. When Dolley left the White House, hours before it was torched along with much of the city, she rescued many important documents and artifacts of state, among them the famous Gilbert Stuart portrait of George Washington. Read the rest of this entry »
by Elissa Blattman, Project Assistant
When 17 year old Lesley Gore reached the top spot on the pop charts with “It’s My Party” in 1963, she instantly became one of the most popular pop acts of the early 1960s. Her sound was similar to the very successful “girl groups” of the era and her music resonated with high school kids across the country.
In 1964, Gore released “You Don’t Own Me.” The song keeps the same bubblegum pop sound she became famous for, but the lyrics contain more social commentary that her earlier releases and most of the songs (especially women’s songs) at the time. During the early 1960s, many girl groups and female singers’ songs were about love and devotion to the men in their lives. For instance, Little Peggy March’s “I Will Follow Him” (1963) contains the lyrics, “I will follow him, follow him / Wherever he may go…For nothing can keep me away / He is my destiny,” and The Crystals’ “He Hit Me (It Felt Like a Kiss)” (1962) even seems to condone staying in an abusive relationship with the lines, “He couldn’t stand to hear me say / That I’d been with someone new / And when I told him I had been untrue / He hit me / And it felt like a kiss.” When “You Don’t Own Me” came out, it turn the role of song’s female protagonists around. With lyrics such as the following, the song was an early source of the feminist consciousness that was coming to fruition. “You Don’t Own Me” opened the doors for later women’s liberation songs to have their place in popular music.
“And don’t tell me what to do
Don’t tell me what to say
And please, when I go out with you
Don’t put me on display ’cause
You don’t own me
Don’t try to change me in any way
You don’t own me
Don’t tie me down ’cause I’d never stay
I don’t tell you what to say
I don’t tell you what to do
So just let me be myself
That’s all I ask of you”
For the 2012 election, Gore and other celebrities brought “You Don’t Own Me” back when they recorded a music video PSA for the song.
By: Laura Spears
“My girlish delight in barrooms…which serve the best beefsteaks in New York, received a serious setback a week or so ago in a place which shall, not to say should, be nameless. The cause was a good, old-fashioned raid. It wasn’t one of those refined, modern, things, where gentlemen in evening dress arise suavely from ringside tables and depart, arm in arm with head waiters no less correctly clad. It was one of those movie affairs, where burly cops kick down the doors, and women fall fainting on the tables, and strong men crawl under them and waiters shriek and start throwing bottles out of windows. A big Irish cop regarded me with a sad eye and remarked, ‘Kid, you’re too good for this dump,’ and politely opened a window leading to the fire escape. I made a graceful exit.”
This excerpt from The New Yorker’s weekly column, Tables for Two sets the scene for a typical night out on the town for Lois Long, known to her readers simply as “Lipstick.” Lois began her career as a columnist at The New Yorker in 1925, at the age of 23. As Lipstick, she chronicled the social club life of New York speakeasies during Prohibition.
Early in her writing career Lois Long would often go undercover. Her goal was to blend with the usual clientele of the Jazz clubs and maintain her anonymity. For two years, the identity of Lipstick was unknown to her readers. Her cover was blown with the newspaper announcement of her engagement to the cartoonist, Peter Arno, with whom she worked at The New Yorker. Hired in 1925 by, Harold Ross, Lois became the pulse of the magazine. Her lifestyle as a glamorous, witty, party girl was exactly the persona that Ross wanted his readers to associate
After the success of her column Tables for Two, Ross made Lois the magazine’s fashion. Unlike previous fashion reporting, Lois’ column covered ready to wear fashions instead of the expensive couture fashions from French salons. The boom in economic prosperity of the 1920’s, along with the new trend of department stores had created a new kind of consumerism. Clothes, hats, make-up, handbags, were all now mass-produced, which in turn drove the prices of these items down. The fashions that the department stores were selling were often based of the latest silhouettes coming from Paris designers such as Coco Chanel or Jean Patou, but the growing middle class of America could now afford them. Read the rest of this entry »
Bertha Knight Landes was a political pioneer and an #HistoricalWomanWhoRocked. She was the first woman mayor of Seattle and the first woman mayor of a major American city. She and her family moved to Washington in 1895 when her husband Henry became a faculty member at the University of Washington. Landes was the mother of three children and was active in various women’s clubs. For example, she founded the Women’s City Club and was president of the Washington State League of Women Voters. In 1921, the Seattle mayor appointed her to serve on a commission studying unemployment.
Landes and Kathryn Miracle became the first women to serve on the Seattle City Council in 1922. After being re-elected in 1924, Landes became the Council President. Two years later, in 1926, she ran for mayor of Seattle. Running on a platform that stressed law enforcement, reform, and morality, she defeated incumbent Edwin J. “Doc” Brown.
Both as the City Council President and as mayor, Landes supported issues like city planning and zoning, improved public health and safety programs, and better hospitals and recreation programs. She supported public ownership of utilities. Landes’ administration focused on caring for Seattle’s moral, social, and physical environment.
Even though her administration went well and received high marks, the issue of her sex consistently superseded her accomplishments in office; most people believed a city as large as Seattle should have a male leader. Knight was defeated for reelection in 1928. When asked what she saw as the future for women in politics, she said, “Women now wield considerable power along political lines and I believe each succeeding year for some time to come will find them wielding that power more effectively. But…at present men in general are not ready to yield to women the privilege and right of holding high political office.”
After her political career, Landes wrote extensively for national magazines, encouraging other women to become involved in politics. Landes wanted women to be treated equally with men and called for public service to be gender-neutral. She wrote, “Let us, while never forgetting our womanhood, drop all emphasis on sex, and put it on being public servants.”